W e were making hay. Everyone who was there still remembers it, how the sky was its usual high immense self, and as we went along a wash of clouds moved in, the ceiling suddenly quite low. There was the usual sweet smell of hay drying, the swallows swooping and scolding, and the oil and dust of the baler, a bitter black fragrance. It had been windy and hot when we started but the heat stilled, dirty and wet; or that was us at least, chaff stuck in our mouths, chaff in our bloodshot eyes, chaff like sequins on our clothes, our flesh. My father wore what were originally his dark-blue coveralls, the material over his back bleached by the sun to a pinkish white, the fabric drenched and glued to his skin. He didn’t wear an undershirt on hot days, so you could see his thick chest hair — which always surprised me — that wet black fur. He had a wild foamy look, a person not to interrupt, no saying a word or crossing his path. My brother, William, was there, and our very distant cousin Philip, and the Bershek twins from down the road, and our hired hand Gloria, and me, and Aunt May Hill, we called her, across the wide field on the Allis-Chalmers, the baler spitting out the old-fashioned square bales.

Aunt May Hill was not a typical lady, May Hill our prize because she could fix any broken thing. She was sixty or seventy — we weren’t sure. In the olden days they’d apparently called her a misfit but that wasn’t quite right. My mother sometimes laughed a May Hill story away, saying she was certifiable, mildly certifiable, she’d say, aiming for accuracy. Eccentric, is all, my father corrected. We naturally assumed Witch. Whatever she was she’d been working on the baler for three days, trying to get the twines to make their knots, trying to remind the mechanism of its own intelligence. It seemed to work most consistently when, at my father’s suggestion, one of us walked alongside it, just being there, not touching it, the baler in need of assurance or companionship or maybe it loved an audience. As much as we were generally afraid of May Hill we were grateful for her tenderness with that rattletrap.

“You guys can’t upgrade or anything?” one of the Bershek twins asked, pulling down on his lid to get a bug out of his eye. “For the millennium, how about. Your great-uncle, or whatever, got the baler used in, like, 1955? That what your dad said?”

The twins were in high school and they’d bound around the field, leaping, skipping, doing barbell stunts with the bales — such goofs — as if they’d never get tired, as if the heat couldn’t ever drop them flat. We, William and I, eleven and twelve years old, we knew better, knew enough to walk between the bales, no jetés, no handsprings for the Lombard children. We knew to conserve our strength. When we were small we’d had matching striped coveralls, sunglasses and leather gloves and boxy orange work boots, no one more serious or poised to make hay. We would have been enraged if anyone had called us cute. Even now we were still not quite ourselves in our tattered chambray shirts, the heavy jeans, the worn gloves, our caps tight on our heads, our clothes a costume plucked from our future, when we’d run the farm.

William didn’t answer the twins and I didn’t, either. We were not going to get a pop-up bailer, no, never have enormous round bales that only a machine could pick up. There was no point talking about the nobility of the labor, the ancient gathering up of the field, no use explaining it if you didn’t get it at this late date.

Earlier in the day there’d been talk on the weather discussion board about the building of the system, the possibility of thunderstorms, 40 percent chance. My father had meant the baling to start earlier but there’d been the usual conversation, the long silences with Aunt May Hill, Aunt May Hill always reluctant to commit, worried that there was too much moisture in the mix, she the one who knew about danger. Nothing to do then but wait, kicking around until she agreed to start the work, until in her estimation the hay was near enough to dry perfection. But we had knowledge, too, we did, bending the stems, sniffing, the goods leafy and sweet, a vintage the sheep would be pleased to eat.

Finally, she took her place on the Allis, and soon after we fanned out, throwing the bales on the wagon, a rickety thing with no sides. My father always constructed the load, ninety bales that he stacked long ways and crossways, five tiers, the structure holding through the woods on the jolting trips to the barn, all of us riding on top, admiring the view. And ducking, to keep from getting clocked by the limbs hanging over the rutted path. There would be three to four loads, my father thought, maybe more. If Sherwood showed up, my father’s partner, if he came we’d be done sooner.

It got hazy in the middle of the fourth load, the low sky a dull white and then suddenly — it was like that — all at once, out of the west, a wind, a black bank coming at us, the seams of lightning doing their zigzag, a quick count, one and two and three, the boom, the crack so close.

“Papa!” William cried. “We’re not going to make it.” William, who never called my father Papa anymore, was trotting alongside the wagon, gripping the edge, as if he meant to stop the whole contraption. There were thirty or so bales left in the field, another fifteen minutes to pick them up. My father was knocking one hard into place on the fourth tier with his knee, standing high, standing steady.

He didn’t even turn to look at the roiling sky, pure wrath above, my father, who was a cautious person under most circumstances. We heard him say, “We’ll be all right.”

“We won’t! It’s almost here, it’s — Pa! Look!”

A bale tumbled up at my father, and another, the Bershek twins on a roll, forever on a roll, my father grabbing the first by the twines, jamming it into a slot in the stack, Gloria on the wagon, too, thrusting the second up to him. Our cousin Philip had been driving, our cousin a native of Seattle, a city dweller. He jumped off the tractor and tore ahead of the wagon, hauling the bales that were far flung into stacks, consolidating them near our path. We wouldn’t take notice of his usefulness, we would not, because in our opinion he couldn’t have any real knowledge about weather.

“Doesn’t Papa see it’s going to hit?” William shouted at me. “Frankie! Doesn’t he see?”

“I know it!” I, too, kept moving.

One of the twins called in my direction, “Good times, Mary Frances, good times.”

Our father, the living skeleton, Exhibit A, underneath the coveralls nothing but hanging bones, and on display all the teeth, the hard grin signifying great effort, our father going at it as if he were still a teenager himself and not in his fifties; and yet of course he wasn’t crazed and of course he would not ever put a single person — except himself — in any kind of jeopardy. But my brother yelled again, a frayed, tearful sound — “Come down, Papa! Let’s get out of here.”

The Bershek boys weren’t stopping, my father wasn’t telling them to, my father taking the bales ever higher as if another crack hadn’t gone right over our heads, as if there really was sin, each worker supposed to wait in the open air for his punishment. Aunt May Hill in her floppy straw hat and sunglasses, Aunt May Hill almost glamorous if you didn’t know how plain she was, had already driven the baler back to the barn and was safe. William moved faster, keeping on without meaning to, almost without knowing he was still working. In his head, I think, he’d made for home.

At dinner it was a story of triumph for my mother, the first drop, a drop so ripe, so heavy, that drop falling in the instant the wagon was unloaded, William in that second handing off the last bale into the barn. It was then that Sherwood, my father’s cousin, turned up, arriving to help just when we were finished, a talent of his. We had to tell my mother that funny part of the story, Sherwood and his legendary timing. All together we had stood in the wide open door of the barn laughing at the force of the downpour, the rain soon hard as bullets, ricocheting off the metal feeders. In the field the bales had flown up into my father’s hands, all of us moving as if in black light; time sped up for us even as the storm was outside of time. At the table my brother said very little. He couldn’t be glad for the miracle, not entirely, a bitterness in his own self, for his doubt.

You know you believe it, I beamed to him across the platter of corn. You know you believe the one pure thing! William couldn’t say the words out loud, didn’t want to sound insincere or childish. But that night of the hay baling he was reminded of the truth. He knew what we’d always known, that our father could outwit a storm. It was so. It had happened. He knew there was no point, not in anything, if our father wasn’t on hand, quieting the wind; and no point, either, if we weren’t there to see it.

O ur greatest fear must have been with us always because even before we went to school we did play at holding to our own fortress. We imagined war with the other family on the orchard. We considered it a siege more than a war, the standoff with our relatives, with our cousins who in ordinary life were our friends. It wasn’t until we were seven and eight, though, that we were first frightened in real terms about the farm, both of us just beginning to suspect that the future, that empty wide forever, might contract, it might narrow and start to spin, it might touch down, sweeping us into itself.

We were on our way to Minnesota to visit our forgetful, wandering grandmother when we got the inkling. It was rare that we took a vacation all together, and more than anything we were excited about the seven-hour drive. The backseat of the van had been made up like a pasha’s tent, beautifully draped and soft with our blankets and pillows, a box of tapes in alphabetical order, books on a makeshift shelf, magnetic games, a full tub of markers and new pads of paper, enough supplies to entertain us to the West Coast if for some reason that became our destination. Even though it was winter we got in the car an hour before departure to anticipate the pleasure of the trip, wrapped up and sitting mindfully in the tidy splendor. William had his red toolbox, something he couldn’t travel without, construction always in progress of a mixed-race quadruped, part Lego, part Capsela, a few mutant Erector Set parts for the personality who might someday speak to us, gestures and all. We were only slightly ahead of the age of handheld electronics for every boy and girl, and yet how impossibly old-fashioned we sound already. The thermos of hot chocolate, that timeless delight, and the basket of apples and cookies and nuts were by our side.

We liked the setup so much William said, “Let’s pretend this is our house, Frankie. This is where we really live.”

I loved that idea.

For most of our lives we’d been mistaken for twins. I was as tall as William, and we both had light-brown hair, his softly sprouted and growing in a swirl as if from a single originating point at his crown. Mine was cut in a pageboy, thin and blunt. Looking at William, I always knew I was not ugly. We seemed for a time to have the same plain standard-issue child noses, his turning up slightly. Whereas I dreamed we were twins, Siamese even, conjoined in utero, attached at an easy juncture, the little finger shared, or just a sliver of the hip — whereas I often believed this had to be so — it would never have occurred to my brother to consider altering the details of our birth.

At first as we drove west to the Twin Cities we were happy.

My mother up front did her imitations of her patrons at the library, where she worked, and my father opened his mouth as if he were having a dental exam and howled. No one made him laugh as hard as my mother. She’d say the amusing line and then sit back to watch him at the enterprise of enjoying her little story. She had a black heart, she once said to him, the result of smoking, had she ever smoked? Could she have been so stupid and so terrible? And yet that shriveled charred heart somehow beating was a feature my father found funny, and therefore we must try not to worry.

For a while we sang along to one of the folksingers on our tape, songs about baby whales and delightful banana pickers and abandoned ducklings, songs we were getting too old for but nonetheless they were our favorites. We weren’t self-conscious about singing, not quite yet, unable to help ourselves, belting out the quack quacks and the Day-os. Daylight come and me wan’ go home. Somehow William was able to sing and at the same time even in travel draw on paper tacked to a board across his lap, the artist making boy-type inky castles, tight lines, extreme architectural detail, the dungeons equipped with outlets and computer stations.

Halfway across the state my mother took the wheel and soon after we both must have fallen asleep.

“What are you saying?” She was speaking quietly to my father but urgently, the blast of her t, the incredulity in the word what the sound that woke us. We didn’t move, both of us lodged against our windows, a little damp, a little drooly.

“I want him to be able to carry on the business, Nellie,” my father said. “To make it as easy as possible for him to keep going. You’d want him to do the same for me.”

“Carry on the business,” my mother said, leaning forward, her face practically to the dashboard. “As easy as possible for him,” she repeated.

“You’d better pull over.”

“I’m not going to crash the car.”

My father said, with deep apology in his voice, “I shouldn’t have brought it up. We need a will, that goes without saying. I’m thinking out loud — ”

“I just want to get it straight, your plan.”

“It isn’t a plan — ”

“Your thought is to will the property and the business — every one of your assets — to Sherwood. To make it easy for him. The property that includes the house we live in.”

My father looked out the window, which we understood to mean he did not wish to continue talking, something my mother didn’t seem to know.

“It would be nice, Jim, it would be considerate, in the event of your death, to be able to remain in the house.” She said that sentence so distinctly, and sweetly, too, it seemed.

“Nellie — ”

“Just so I have it straight, is all. So I can prepare. You’re giving the whole of everything to Sherwood — and Dolly, let’s not leave Dolly out of the discussion. Imagine leaving Dolly out.” She had to pause, stunned at such an omission. “If you’re going to give the place up to them, I should probably start putting my spare change in a jar. So I have enough to care for our children, food, shelter, clothing, that kind of thing. A dime or two for college. In the event of your death,” she added, her tone even more agreeable.

Our father dying? William’s eyes were narrowed in concentration. Our parents were having a joke, I thought, or maybe playing a car game. My father dying and his business partner and cousin, Sherwood, owning every acre, this funny, hard game something like My Grandmother’s Suitcase or I Spy. As for college, that also was ridiculous. William and I were never going away.

“Aunt Florence and Uncle Jim passed down the farm to you and Sherwood and May Hill.” My mother reviewing ancient history.

“Yes, Nellie, all right, let’s not go into a tailspin. Let’s let the funnel cloud settle elsewhere.”

“And so maybe you feel obligated to honor that history. Maybe,” my mother mused, “Sherwood will build me a house out of the scrap metal in the sheep yard. Imagine the house that Sherwood could make! No, no, this will be fun.”

We could tell she didn’t mean real fun in this game of theirs. Sherwood famously invented all kinds of never-beforeheard-of contraptions, and he tried to build regular tools and machines, too. It was unlikely — we knew this — that he could successfully erect a whole house.

“Our palace,” she was saying, “oh, Jim! It will have a laundry chute, like a marble run, underwear, socks, washcloths skating down tubes through all the lopsided, slanting rooms, kicking off bells and whistles before they land in the washing machine. How great is that?” She turned to my father, looking at him for longer than seemed a safe driving practice. “The floors,” she went on, “will be made of arable soil, you mow it instead of mopping. Plus, we can grow radishes under the table.” Another hard look at him. “And play golf.”

“Nellie,” he said wearily. “Get off at the next exit, will you please?”

“I do understand that for you the farm is the most important feature of the world,” she said quietly, and almost sadly. “I do know that. I’m not going to dwell on the money I put into the operation — gladly, I put the nest egg in gladly.”

What money? We were always puzzled about money, whose was what, and why my father’s jaw went taut when the subject came up. He turned around to see if we were still sleeping, our eyes snapping shut. “You do dwell on it.” His voice was in the back of his throat, my father rumbling, a rare occasion. “You are dwelling. You dwellth.”

“I dwellth not! I’m only thinking of the will, and how maybe you could, in that document, jog Sherwood’s memory, for the final tally, this teacup, that teacup.”

“He remembers,” my father said. “Of course he does. He’s grateful.”

“Of course he does! My God, Jim.”

They were blissfully quiet for a while but then my mother had to start it up again. “Anyway, the normal course of action, if you weren’t going to make a sanctimonious gesture to your cousin — wouldn’t it be to give your share into my custodial care until William and Francie could have a crack at it? Assuming they want to inherit the bounty of the ages. And carry on the . . . cult.”

We recalled what she’d said about the farm. It was true that our orchard was the most important feature of the world.

“Assuming,” she went on, “that the Queen and her right-of-way, and her other well-placed acres, doesn’t ruin everyone.” My mother called Aunt May Hill the Queen, a name that did not suit her.

“Would you stop talking? Please, Nellie.”

Yes, yes, we were absolutely on his side — he should give her an apple to fill her mouth, a gentle stuffing.

“I think what you’re saying, Jim, is that if I had ownership I’d screw Sherwood over. Which, okay, I admit, is sometimes an appealing thought.”

My father was again gazing out the window, as if fields under snow was a landscape that had variation of untold interest.

“You actually,” she said, “you actually don’t trust me.” She said this as if she’d been stricken by awe.

“That is absurd,” he cried. “And you know it.” Jim Lombard went ahead and at that very particular moment made a remark that was out of place in the timetable of the fight. He said, “There’s a rest stop in two — ”

When she lurched back against the seat, preparing to be shrill, I finally yelled, “What are you talking about?”

William took up the call, sticking his head between their high-backed seats, as tall as thrones. “You shouldn’t argue.”

“We’re not,” my mother spit, “arguing.”

“It sounds like it,” William pointed out.

My father, who was always truthful, said, “We are arguing.”

“Here’s what I want, Jim.” My mother, for her part, did not like to leave a task unfinished. “I want Sherwood, when you’re gone, to implement every single one of his lunatic ideas. May Hill will have to wrastle him to the ground, think of that! When the whole operation is in complete disarray William and Francie will step in and save them. That,” she snapped, “is my dream.”

We were not only further bewildered by their discussion but, more critically, unsure now about whose side we were on. My father’s for agreeing with us about their arguing or my mother’s for foretelling our marvelous future? I wanted to cry because of their game and also because the conversation reminded me of a secret I had, a sliver of talk I’d once overheard, something awful my mother had said to Gloria, the hired hand. It was a snippet I couldn’t even repeat to William. They’d been in the kitchen maybe a year or two before when Gloria asked my mother if she thought William and I would stay on the farm when we were grown, if we’d want to take it over. My mother said, “Oh, who knows! Don’t you think William’s too dreamy and too interested in other things to be a farmer? And Francie” — she burst out laughing — “is too full of spleen.”

Spleen? What was that? Why was it funny? For the life of me I could not find out what spleen meant; I couldn’t understand the largest component of my character. I couldn’t ask William because what if it was a hideous stain or germ, amusing to an observer, that was soon going to overtake my hands, my legs, my face? The spleen was going to keep me from being a farmer and when I remembered that fact I was very sorry for myself, a sad glum girl.

In the car my father said, “We’re going to get out and stretch.” In order to ensure that his wife take the exit ramp he added that he himself had to use the bathroom.

“Take the ramp or not take the ramp?” my mother considered. “Make you hold it all the way to Minneapolis? Oh, Jim, let me think about this.”

They both then did something we couldn’t stand. They both unaccountably started to laugh. “You’ll be the death of me,” he said to her.

“And then I’ll be stuck with that asinine will. Jesus Christ.” They laughed again.

“If you croak,” she said, “if you leave me with Sherwood and Dolly and May Hill, I’ll hunt you down.”

We could hardly move, William and I, in the parking area. My father giving the farm to Sherwood? My mother hunting him down — what did that mean? My father dying — no! He wasn’t really going to do that, but the rest of us without a house? Sherwood building a metal home with a marble run? “I don’t have to go,” I said. Their sudden laughter, the way their argument seemed to end, was possibly the most confounding thing of all.

“Yes, you do,” my mother said.

“I don’t.”

William squeezed his eyes shut for her, he bore down, as if he were trying to summon urine for her pleasure. “I’m fine,” he concluded.

When my parents gave up on us and went off to the visitor center on their own I started to cry. We were left, we were left, we were left now and we were going to be left later, left without the orchard. William looked out the window to the cold travelers walking their dogs in the dirty snow. He was crying, too, the Lombard children as good as orphans, might as well start now, brother and sister, hand in hand, abandoned on the highway, an apple each, a favorite book, a few Jolly Ranchers, green only, a song to sing for company, nothing, nothing else, no place to roam but everywhere.

T he orchard, the family affair, was a compound with three houses, three barns, four hundred acres of forest and arable fields and marsh, the sheep pastures, and the apple trees. The woods were wild and dense, no hiker’s path of shavings, no sign at the start announcing points of interest, the lady’s slippers hidden in the broad ginger leaves, the morels — we weren’t going to tell anyone where they were. There was no warning about future dangers, such as the cougar maybe making a comeback in our state. By the far west fence there was an Indian burial mound that we took for the shape of an owl, and in a thicket nearby the remains of a settler’s cabin. Once, digging around, we found a tin cup, dented and packed with dirt. William picked it up, he sniffed it, sniffed the rim, where lips would have touched. I asked should we take it with us? He held it in both hands, looking off into the distance, seeing, I guessed, the fairy-tale children of long ago. An ogre of course and a father with an ax. Without deciding exactly we buried the cup as if it were a little pet we’d cared for.

Home we went over the wooded hills. The last glacier coming down into Wisconsin had stopped just south of us, dumping its remaining load of gravel, ideal country for an apple orchard, the soil rich enough, the drainage superb. In truth, though, we were more interested in what was to come than in what had already happened in the time of weather and pioneers. William and I were the fourth generation born unto the operation, heirs to a historical property and a noble business, far more than our friends could say about their fathers’ jobs and their houses on quarter-acre lots.

What worried us was a possible hitch, a potentially tricky web. Because we were not the only heirs. The major candidates in our minds were our good playmates and cousins, Adam, the oldest of us four, the boy for William, and Amanda, the youngest, the girl for me. They lived across the road in the manor house, a house far enough away and shrouded by trees so that it was not visible from our side. Amanda and Adam lived in Volta. William and Mary Frances lived in Velta. Our divided kingdom, William inventing the names, Velta and Volta, for what was true. Our cousins in Volta on the whole hated to work, disliked the out-of-doors, and never went into the woods unless their father coaxed them. Adam had cause to protest because he had the bee sting allergy, a cruel joke for a boy living in the middle of an orchard. But aside from their natural disinclination, their mother, Dolly, was always describing to them their college lives, way off, already excited about their adulthood in the city. So Amanda and Adam usually didn’t trouble us too much, but what about the cousins who lived elsewhere, in Alaska or California, children whose parents had grown up on the farm, those strangers who might arrive and seize the road? Children we had never met. For the most part after our trip to Minnesota we forgot that our father might someday give the farm to his partner, to Sherwood, or maybe we heard our parents not long after discussing their will in reasonable and generous terms. With that fear out of the way we had to make ourselves afraid on our own steam, pretending we were royal orphans, our right to rule threatened by the thugs at the palace door. Then we put on our capes and crowns and we climbed on top of the old chicken shed for our rapture:

Bring me my bow of burning gold! Bring me my arrows of desire! Bring me my spear!

There were many dwellings that we would someday own part of if the strict lineage wasn’t interrupted. The manor house, the size of a ship, of a destroyer, was made of granite and cedar shakes, and had been built for our great-grandfather, the lawyer, the state senator, the gentleman farmer. Sherwood, Dolly, Amanda, and Adam lived in the downstairs, although my parents owned three-eighths of the entire house. We always wondered, Which part? — hoping one of the four bathrooms was in our share. Also, we would need a slice of either the upstairs or downstairs kitchen. Aunt May Hill, one-fourth owner, was someone we didn’t want to think about for any number of reasons.

For instance, when May Hill was a young person her father, a relative of ours, had accidentally suffocated in a silo on his farm in Indiana, and shortly after that her mother found a rope and hanged herself from a barn rafter. May Hill’s brother was in college but she, a high school girl, had to be adopted by Sherwood’s parents. One day she was a teenager at home and soon after she arrived at the Lombard farm in Wisconsin to take her place among a two-, three-, five-, and six-year-old — that was Sherwood — and a baby on the way. If she had been in a book we probably would have loved that downtrodden orphan. She was brilliant, everyone said. A solid girl, a girl with a large frame. When she grew older, instead of going to college or finding a job she stayed upstairs in her room reading, she tinkered in the tool house, she chopped wood, she studied auto mechanics on her own, and she invested in the stock market. It was common knowledge that she’d become rich. No woman we’d ever seen had such thick rectangular eyebrows. Not that we saw her very often. We understood that she did not like anyone, that she did not wish to see you on the path. The fact we knew most certainly was that, no matter her solitary habits, May Hill was the farm’s pure gold. Because breakdown was daily and went according to the seasons: the Ford tractor and market truck sputtering in fall, the sprayer clogged in spring, the baler and mower fizzing in summer, the snowplow intractable in winter. Each piece of equipment poised to quit in the time of its urgent need.

Aside from May Hill’s holdings everything else was split fifty–fifty between Sherwood and my father. Down the drive past the manor house was the apple barn where the customers came, where the cider was made, the apples sorted and stored, and behind that was the sheep yard for the flock of thirty ewes. Also, there in the yard, the museum of cars and other implements from as far back as 1917, plus rusted stanchions mostly buried, stacks of bicycles, wagon wheels, refrigerators, lawn mowers, barrels of used twine, chipped crocks — nothing of particular use but each item in a casual pose, caught as if in the middle of a task, as if trapped in time by lava or ice. You might think, studying the jumble, that the ancestors had done very little but ride bikes and churn butter. We sometimes worried that if Sherwood and my father had a real war we wouldn’t be able to get to the apple barn to do business, to feed the sheep, to rattle around in the junk, to play with Amanda and Adam. We’d be prisoners cut off from the supply.

The war would start because of the ancient argument, and one irrevocable thing would be said, something bitter and true. Sherwood and my father would then fall silent not for a few minutes but for years. It would be a war with no punches and certainly no shooting, no physical injury of any kind because that’s not how the Lombards behaved. The problem for Sherwood was my father, Jim Lombard, his cousin who hadn’t grown up on the farm. Jim had only spent his summers on the orchard, working alongside his maiden aunt, Aunt Florence. Whereas Sherwood was raised full-time in the manor house, the boy who had always known he was the rightful and only heir. After college my father came to help out, to rescue the operation while Sherwood was in the army. To Jim Lombard’s own surprise and joy, he never left. Sherwood came back from his posting, he and my father were made partners, one by one the older generation died, my parents got married around the same time Dolly and Sherwood tied the knot, Adam and Amanda were born, we were born, everything beginning all over again. But the tickler, the fundamental question lurked:

Was my father, the city person, the interloper — did he belong? Did his pedigree and his summer roots constitute a claim?

When William and I learned a new detail of my father’s story, or when we heard more about the argument as the years passed, each piece was usually an understandable part of the predicament. Very rarely did additional information surprise us. Because the feeling between Sherwood and my father, that hum, was outside of us and also within us; surely it was so because otherwise we would not have entertained the war as we did, considering our stores of food, planning to hold fast to our little house across the road, the falling-down clapboard heap my parents had done their best to rescue, built circa 1860. We plotted how we’d get to the stone cottage near the village where Gloria the employee lived, Gloria, in the role of the hired man, living in the original Lombard house in the state of Wisconsin. Would I have to hate Amanda, who was a year younger than me, or would we be like lovers who were separated, sending each other messages in code, the upholders of the best, the pure Lombard spirit? William and Adam would sneak notes, too, the children reminding the elders who we were.

By the time we were in high school we understood enough to consider the hardships each bore. For certain Sherwood and Jim had the same funny pride in their independence and parsimony, but even though their goals were identical and their love equally deep, still, the fact remained that there perhaps have never been two men more unsuited to be in business together, the pair a marvel of incapacity. Sherwood the visionary — how we sometimes loved him for his leaps, his forays into the future! And Jim the commander of all details, the prophet of routine. The force of each diminishing the other’s power. But what the men respected in their situation, once they were business partners, was their rage, each for the most part keeping a lid on it, their semi-annual blowouts usually occurring in November and May. In-between times the majesty of the woods around the manor house and the size of the house itself, and the elegance of the apple barn, which originally had been meant for horses, and along the rise the dignity of the long straight rows of apple trees: All those beauties were a reminder of the grace and the good breeding of the Lombard clan itself.

There was a time when everyone came together in a purpose beyond farming. We were lost, William and I. After dinner we’d wandered down the lane that went out to the hay field, sure of ourselves because already at five and six we had helped with the hay in our complete costume: coveralls, gloves, boots, sunglasses, straw hats. It was the end of June and we’d started finding wild raspberries, straying farther and farther from the path, as sheep do, with no regard to the way back. After a while William looked up, his lips stained black, his eyes at once bright with fear. “It’s getting dark,” he noted. We started running, the thorns scratching our arms, our legs, our cheeks. Although we’d been told there were no bears or wolves in our part of the state, we knew that when night fell the savage beasts from out of time would emerge from their dens. We were already bloodied by the thicket, by mere plants. When we came to a hillside William led me up the brambly slope into a hole, a great gouge that had been made by a tree falling down. We climbed over the dead limbs and got ourselves into the torn earth, arranging ourselves among the roots. “Don’t cry, Frankie,” he said, but he himself was shivering. He held me in his arms and so although I was afraid, I was strangely happy, too. I started to try to sing a little song but he said we should probably listen for — for what? Our father, of course our father would come. Even though we knew he would find us, all the same we began to see — without speaking of it — the whole story of our being the dead children.

There was so much to miss in the life we wouldn’t lead, the Lombard girl and boy who despite his dreaminess and her spleen were supposed to carry on the orchard, those two snuffed out before they could be the farmers. William and I continued to tremble as if it were winter. Ghosts, that’s what we’d be, standing at our places at the apple sorter wearing our XXX Small brown cotton gloves, child laborers who were glad to undertake any task even in death. We’d been going to marry each other, my brother and I having solved that problem of adulthood early. It was William who’d firmly told me about the arrangement, who had the good idea, the two of us continuing on in our bunk beds, William above with his raspy breathing, that lullaby, the parents staying put in their room.

For a little while in the woods he told me a story that began this way: “Once there was a girl who lived near the end of the world. Her name was Miss Imp.” Miss Imp! That was me, a girl who was always annoying everyone but in a way they secretly enjoyed. When Miss Imp got lost her house right on the edge of the world picked up its skirts and came to find her, it loved her so much. With that conclusion we listened to the darkness again, remembering that in fact we were still lost and were probably going to die.

Gloria was the person we first heard calling. “WILL-YUM! FRAAAAN-SEA!” Our own names out in the night.

William called back, “Here we are.” His thin song like an insect’s steady announcement in the grass, hereweare, hereweare. We heard in the farther distance my father calling and my mother’s cries. It dawned on us that although they were looking they might not find us, and then what?

So William again took me by the hand, and out we crawled, back into the night, trying to find the voices, again stumbling, again getting scratched, our legs and shorts soaked with dew. We again wrapped our arms around each other, and went slowly. At the moment when we came out of a tangle into the back field the moon burst from under a cloud, a half-moon but there was enough light to see where we were. Instead of running, for the first time in our lives we cried tears of joy. That made us laugh, how funny that tears could be for something other than a wound or fear. We went skipping along the real path with the heavy ruts, the path that would take us to the manor house and the barn.

On our way we were surprised by Gloria, her headlamp shining along the rise. In our giddiness we’d forgotten that we were still the objects of the search party. She had to start whimpering, clutching us to her, and at the same time trying to shout for our parents, saying we were found. We kept holding hands, William and I stiff in her embrace. We had rescued ourselves and did not appreciate her claim. We hadn’t been frightened, we insisted. Our cuts didn’t hurt. No, we weren’t cold. We’d known where we were the whole time. We knew the woods, our woods. We had only been out for a walk, hungry for some raspberries.

When we came from the path to the manor house, Sherwood and Dolly were walking up the drive from the east orchard, and Aunt May Hill was standing on the porch. Amanda and Adam were in the living room window looking out, pale and still on our account. Everyone had been concerned and everyone was now relieved, even, oddly enough, Aunt May Hill. There was chatter that we didn’t pay attention to, my parents thanking the search party, Gloria recounting her part, Sherwood expressing gratitude to the moon herself for shining. He was the tallest Lombard, the man with the magnificent forehead and wild red curls, the man who right then made us laugh by baying like a coyote at the heavens.

In William’s bed that night we continued holding hands, thrilled by our near-death and our own powers, certain just then that we would always find our way home.

Available everywhere April 19!

Excerpted from THE EXCELLENT LOMBARDS by Jane Hamilton, published by Grand Central Publishing. Copyright © 2016 Jane Hamilton.

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